Forthcoming Exhibitions and Publications in Europe & Asia

Jeffrey Gibson. This is dedicated to the one I love
​Hauser & Wirth Paris ​ ​
​20 October – 20 December 2025 ​

Jeffrey Gibson’s first solo exhibition with the gallery and in France will take place at Hauser & Wirth’s Parisian outpost this Autumn. Celebrating the breadth of Gibson’s output, the exhibition features three new groups of paintings, ranging from large to intimate in scale, alongside new works from Gibson’s series of celebrated punching bags, hanging cloaks, paintings on paper, canvas and beaded panel, as well as a new body of free-standing ceramic head sculptures. The title of the show, ‘This is dedicated to the one I love,’ is a pause for empathy and a meditation on how we act and make in times of crisis.

Over the past three decades, Gibson has developed a rich interdisciplinary practice that draws from American, Indigenous and queer histories as well as references to popular music, literature and art historical narratives. The artist’s distinctive visual language embraces a broad spectrum of cultural expressions and collaged identities in a way that is simultaneously intimate and radically expansive. The works on show are characterized by Gibson’s bold chromatic sensibility and emphasis on pattern and abstraction, whilst also drawing on histories of color studies and the concept of the psycho-prismatic, how color, light and prisms allow us to see multiple things at once. ​ 

Gibson is the sixth artist selected for the 2025 Genesis Facade Commission for the Metropolitan Museum of Art in New York NY, creating four works for the museum’s historic exterior on display from 12 September 2025 – May 2026. Other current and forthcoming solo projects include an immersive installation at MASS MoCA in North Adams MA until November 2026 and an exhibition at Kunsthaus Zürich, Switzerland, from 13 June – December 2025, Gibson’s first presentation in a European museum following his solo exhibition for the US Pavilion at the 60th Venice Biennale in Italy.

^{Press contact: Alice Haguenauer, Hauser & Wirth London / Paris, alicehaguenauer@hauserwirth.com}

Cristina Iglesias. The Shore
​Hauser & Wirth London ​ ​
​14 October – 20 December 2025

This autumn will mark the first exhibition of Spanish artist Cristina Iglesias at Hauser & Wirth since joining the gallery’s roster. Iglesias is known for her a unique sculptural vocabulary developed over four decades, creating immersive and experiential environments that reference and unite architecture, literature, psychology, mechanics, natural elements and site-specific content. Combining the conventional matter of sculpture—familiar materials such as glass, steel, bronze—with non-traditional materials like water and sound, Iglesias produces works as powerfully mystical as they are muscular. This exhibition features three large-scale works, each taking a unique porous, rock-like form with water trickling and flowing inside, their meteorite appearance symbolizing the collision of outer space and Earth. The use of flowing water adds a layer of organic movement and a connection to geological processes. Guided by a profound cultural and historical sensitivity, as well as a deep concern for the natural world, Iglesias’ works poetically redefine the viewer’s relationship to time and place.

Coinciding with her London debut at Hauser & Wirth, Cristina Iglesias will also have a solo exhibition at Fundació Catalunya La Pedrera in Barcelona, Spain from 9 October 2025 – January 2026.

^{Press contact: Alice Haguenauer, Hauser & Wirth London / Paris, alicehaguenauer@hauserwirth.com}

Nicolas Party. Clotho
​Hauser & Wirth London ​ ​
​14 October – 20 December 2025

The fantastical universe of Swiss painter Nicolas Party’s comes alive in his first solo exhibition at Hauser & Wirth in London. Featuring new landscape, treescape and portrait paintings, this exhibition celebrates and challenges longstanding and cherished conventions of representational painting through Party’s signature style. Known for his unique use of soft pastel, the artist has become a master of the medium, employing the pigment’s versatility, immediacy and saturated colour. Party is known for conceiving his exhibitions as comprehensive environments, incorporating architectural interventions and extending the palette of his paintings across the gallery’s walls. Heightening the powerful effects—formal and psychological—of his subject matter, Party has chosen to steep the surrounding walls in a rich electric blue. ​

The first instalment of Hauser & Wirth Publishers’ new Contemporary Masters series, a new monograph focused on Nicolas Party’s mural work, will publish alongside this exhibition. ‘Nicolas Party: Copper & Dust’ is on view at The Holburne Museum in Bath until 31 August 2025, accompanied by a large site-specific pastel mural responding to a work from the museum’s collection, on display until 19 October 2025.

^{Press contact: Alice Haguenauer, Hauser & Wirth London / Paris, alicehaguenauer@hauserwirth.com}

Mary Heilmann. Works on Paper
​Hauser & Wirth Zurich, Limmatstrasse
​26 September – 19 December 2025

Opening this September, Mary Heilmann returns to Hauser & Wirth Zurich, Limmatstrasse, with an exhibition of the artist’s drawings from 1975 – 2005. Bringing together works on paper ranging from watercolor studies for larger paintings to works that function as paintings on paper in their own right, this presentation of rarely and never before seen works celebrates Heilmann’s talent for distilling complex images and ideas into deceptively simple geometric forms and abstract gestural marks. Expanding upon the artist’s exhibition of works on paper ‘Daydream Nation’ at Hauser & Wirth New York last year, the presentation in Zurich muses on how drawing functions as a form of daydreaming—of conjuring the sights, sounds and events of her past travels or her imagined future—in Heilmann’s creative process.

The exhibition in Zurich opens in conjunction with a new publication from Hauser & Wirth Publishers, ‘Mary Heilmann. Works on Paper: 1973–2019,’ featuring an introduction from Alexis Lowry, an essay from art historian Jo Applin and a personal reflection by painter Ilana Savdie.

Heilmann is the subject of two major institutional exhibitions, which also include works featured in the new publication. ‘Mary Heilmann. Starry Night’ at Dia Beacon in Beacon NY and ‘Mary Heilmann. Water Way’ at Guild Hall in East Hampton, NY both close in October 2025. On view at the Whitney Museum of American Art until January 2026 is ‘Mary Heilmann: Long Line,’ a site-specific installation that celebrates the 10th anniversary of the opening of the Whitney Museum’s downtown building.

^{Press contact: Maddy Martin, Hauser & Wirth Zurich, maddymartin@hauserwirth.com}

Maria Lassnig. Self with Dragon
​Hauser & Wirth Hong Kong
​25 September 2025 – February 2026

The oeuvre of the seminal painter Maria Lassnig covers an incredible lifespan of more than 70 years of intense work between the end of the Second World War and her death in 2014.

At the center of her profound research into painting we find a unique interest in the relation between awareness and the human body—the artist’s body—which Lassnig calls Body Awareness. It is research that is fuelled by an occupation with philosophical and scientific theories on perception. Examples include texts by the Austrian scientist and philosopher Ernst Mach and those of her peer and close friend, the Austrian writer Oswald Wiener, with whom she undertook perceptual experiments in the 1970s. Lassnig questions the perception beyond the visual, how our body senses as a whole. She also explores the ways in which language becomes part of such perceptions, leading to her lifelong interest in literature and friendships with such eminent poets as Paul Celan and Friederike Mayröcker. Within this research, the human body is subject to change, it is morphing constantly, sometimes even into the mythological.

Titled ‘Self with Dragon,’ this is Maria Lassnig’s first solo exhibition in Hong Kong. With this selection of paintings, the show provides an insight into Lassnig’s approach to such reflections and their manifestation on the canvas.

^{Press contact: Tara Liang, Hauser & Wirth Hong Kong, tara@hauserwirth.com}

Jean Tinguely and Niki de Saint Phalle back from the Cyclop © 2025 NIKI CHARITABLE ART FOUNDATION. All rights reserved, Courtesy Niki Charitable Art Foundation and Hauser & Wirth. Photo: Laurent CondominasNiki de Saint Phalle and Jean Tinguely, La Grande Tête, 1988, Painted polyester, electrical system, 225 x 225 x 140 cm / 88 5/8 x 88 5/8 x 55 1/8 in © 2025 NIKI CHARITABLE ART FOUNDATION. All rights reserved. Photo: Laurent Condominas

Niki de Saint Phalle & Jean Tinguely. Myths & Machines
​Hauser & Wirth Somerset
​17 May 2025 – 1 February 2026

‘We couldn’t sit down together without creating something new, conjuring up dreams.’
​—Niki de Saint Phalle, ‘A little of my story with you Jean’ (1996)

Niki de Saint Phalle (1930 – 2002) and Jean Tinguely (1925 – 1991) are reunited in a major site-wide takeover at Hauser & Wirth Somerset, in collaboration with the Niki Charitable Art Foundation. The first exhibition dedicated to both artists in the UK will illustrate Saint Phalle and Tinguely’s visionary artistic output and enduring creative collaboration over three decades.

Two emblematic figures of contemporary art, Saint Phalle and Tinguely defied conventional artmaking and were fuelled with rebellion, in both life and art. The exhibition will feature unseen works on paper and art decor by Saint Phalle, alongside shooting paintings and monumental open-air sculptures. Iconic kinetic machines by Tinguely range from the 1950s to the final year of his life, in addition to multifaceted collaborative works made by the duo throughout the 1980s.

Tinguely and Saint Phalle met and started working together in Paris, France in the late 1950s and were married in 1971. The pair forged an extraordinary personal and artistic relationship that continued to renew itself across multiple projects until Tinguely’s death in 1991, when Saint Phalle took over stewardship of his works until she died a decade later.

The exhibition takes place as part of Jean Tinguely’s centenary celebrations. To mark this occasion, his innovative and playful oeuvre will be honored internationally with a range of exhibitions and events.

The exhibition will be accompanied by an Education Lab co-produced in collaboration with Bruton Primary School, Ditcheat Primary School and Upton Noble C of E Primary School. Taking Niki de Saint Phalle’s philosophy that creativity can server as both a mental antidote and a therapeutic outlet, the Education Lab will provide an interactive space realized by young people as an exploration of their emotions, experiences and stories.

^{Press contact: Laura Cook, Hauser & Wirth Somerset, lauracook@hauserwirth.com}

Hauser & Wirth Publishers: New Releases
​Autumn 2025

Hauser & Wirth Publishers’ autumn program features five new titles. ‘In the Studio: Lee Lozano’ provides an excellent resource for both newcomers and longtime admirers of Lozano’s radical work. The new ‘In the Studio’ series takes readers behind the scenes of an artist at work, each book focusing on a major figure of 20th or 21st century art. Find out more HERE.

‘Mary Heilmann: Works on Paper, 1973–2019’ is published concurrently with the artist’s solo show in Zurich and complements her 2024 exhibition at Hauser & Wirth New York. Released alongside his show at Hauser & Wirth London, ‘Nicolas Party: Murals’ forms the first instalment of the new Contemporary Masters series. Accompanying her forthcoming exhibition at Hauser & Wirth Downtown Los Angeles, ‘Flora Yukhnovich: Bachannalia’ documents the artist’s latest work.

‘Calder Gardens: Drawings and Texts by Jacques Herzog’ gives unique insights into the creative process that led to the architectural realization of the Calder Gardens in Philadelphia.

Hauser & Wirth Publishers will participate in NY Art Book Fair from 11 – 14 September 2025.

Press Contacts:

Alice Haguenauer
​Hauser & Wirth London / Paris
​alicehaguenauer@hauserwirth.com

Maddy Martin ​
​Hauser & Wirth Zurich
​maddymartin@hauserwirth.com

Tara Liang
​Hauser & Wirth Hong Kong
​tara@hauserwirth.com

Laura Cook ​
​Hauser & Wirth Somerset
​lauracook@hauserwirth.com

^{Copyright and Courtesy Credits}

^{Jeffrey Gibson in the studio, 2025. © Jeffrey Gibson. Courtesy the artist and Hauser & Wirth. Photo: Emiliano Granado}

^{Cristina Iglesias © Cristina Iglesias. Courtesy the artist and Hauser & Wirth. Photo: José Luis López de Zubiria}

^{Nicolas Party, Portrait with Auguste, 2025, Soft pastel on linen, Arch: 150 x 110 cm / 59 x 43 1/4 in © Nicolas Party. Courtesy the artist & Hauser & Wirth. Photo: Adam Reich}

^{Nicolas Party, Trees, 2025, Soft pastel on linen, 177.6 x 89.1 cm / 69 7/8 x 35 1/8 in © Nicolas Party. Courtesy the artist & Hauser & Wirth. Photo: Adam Reich}

^{Mary Heilmann, Tea Garden, 1984, Watercolor on paper, 76.2 x 55.9 cm / 30 x 22 in © Mary Heilmann. Courtesy the artist, Hauser & Wirth and 303 Gallery, New York. Photo: Thomas Müller}

^{Mary Heilmann, Untitled Watercolor Study, ca. 1986 – 1988, Watercolor and pencil on paper, 12.7 x 17.5 cm / 5 x 6 7/8 in © Mary Heilmann. Courtesy the artist, Hauser & Wirth and 303 Gallery, New York. Photo: Thomas Müller}

^{Maria Lassnig, Studio Maxingstraße, Vienna, 1983, © Maria Lassnig Foundation. Photo: Kurt-Michael Westermann}

^{Maria Lassnig, Selbst mit Drachen (Self with dragon), 2005, Oil on canvas, 200 x 150 x 2.2 cm / 78 3/4 x 59 x 7/8 in © Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Sandro E. E. Zanzinger}

^{Niki de Saint Phalle & Jean Tinguely, Back from the Cyclop, La Commanderie, Dannemois, France, 1973 © Laurent Condominas. Courtesy Niki Charitable Art Foundation and Hauser & Wirth. Photo: Laurent Condominas}

^{Niki de Saint Phalle & Jean Tinguely, La Grande Tête, 1988 © Niki Charitable Art Foundation. All Rights Reserved, DACS 2025. Courtesy Niki Charitable Art Foundation and Hauser & Wirth. Photo: Laurent Condominas}

^{Cover of ‘Mary Heilmann: Works on Paper, 1973–2019’. Courtesy Hauser & Wirth Publishers}

^{Cover of ‘In the Studio: Lee Lozano’. Courtesy Hauser & Wirth Publishers}

^{Cover of ‘Nicolas Party: Murals’. Courtesy Hauser & Wirth Publishers}

^{Cover of ‘Calder Gardens: Drawings and Texts by Jacques Herzog’. Courtesy Hauser & Wirth Publishers}

^{Cover of ‘Flora Yukhnovich: Bachannalia’. Courtesy Hauser & Wirth Publishers}