New Release
‘Arshile Gorky: New York City’

Press Release

A fascinating examination of influential artist Arshile Gorky's relationship to New York City, exploring notions of exile, identity, and authorship.

Global Release: 17 June 2025

Cover of ‘Arshile Gorky: New York City’ (2025), Courtesy Hauser & Wirth Publishers
Cover of ‘Arshile Gorky: New York City’ (2025), Courtesy Hauser & Wirth Publishers

In a period that saw Manhattan host the premiere of George Gershwin’s musical composition ‘Rhapsody in Blue,’ and the construction of skyscrapers that define New York to this day, a young Armenian painter and refugee named Vosdanig Manuk Adoian moved to the city and gave himself a new name: Arshile Gorky. Hailed by some as the ‘last Surrealist’ or the ‘first Abstract Expressionist,’ the artist embarked on a journey of self-reinvention and aesthetic innovation that would parallel New York’s own transformation from an emerging city into a surging metropolis and a cultural epicenter. ​

Spreads of ‘William Kentridge: Self-Portrait as a Coffee-Pot’ (2025), Courtesy Hauser & Wirth Publishers
Spreads of ‘William Kentridge: Self-Portrait as a Coffee-Pot’ (2025), Courtesy Hauser & Wirth Publishers

This richly illustrated publication is the result of Hauser & Wirth’s ongoing close collaboration with the Arshile Gorky Foundation, which supplied many of the images and spearheaded the book’s chronology and maps. With numerous Gorky paintings, studies of his mural projects and works on paper alongside contemporaneous photographs of New York by Berenice Abbott and archival images of the artist, this publication brings the years after Gorky’s arrival in New York vividly to life. ​

Book Photography of ​
‘Arshile Gorky: New York City’ (2025), Courtesy Hauser & Wirth Publishers
Book Photography of ​
‘Arshile Gorky: New York City’ (2025), Courtesy Hauser & Wirth Publishers

Edited and introduced by Ben Eastham, ‘Arshile Gorky: New York City’ features new scholarship by leading writers and art historians on Gorky’s Manhattan years. Christa Noel Robbins reflects on the relationship of the artist’s life and work as a ‘framing question’ that would come to define modernist painting in the United States. Emily Warner examines Gorky’s murals as ‘both part of and distinct from the urban fabric—a public art that pulses with its own, often fantastical, energies.’ Tamar Kharatishvili investigates the artist’s blending of fact and fiction via questions of identity and fraught ideas of ‘originality,’ while painter Allison Katz meditates on her early encounter with a work of Gorky’s and his enduring influence on her own artistic development. In the book’s final essay, Adam Gopnik reflects on the relationship of Gorky’s painting to time, place, and ‘personal truths.’ ​

Organization, ca. 1933–34. Collection of the University of Arizona Museum of Art, Tucson. ​
Gift of Edward Joseph Gallagher, Jr. © Arshile Gorky Foundation.
Organization, ca. 1933–34. Collection of the University of Arizona Museum of Art, Tucson. ​
Gift of Edward Joseph Gallagher, Jr. © Arshile Gorky Foundation.

At the same time, ‘Arshile Gorky: New York City’ unpacks a relationship of mutual influence—Gorky would come to shape the history of New York painting, just as the city had shaped his own work. If Gorky is a great American painter, it is at least in part because—as Eastham writes—like New York City, he contains multitudes.

 

 

About the Artist
Arshile Gorky played a pivotal role in the shift to abstraction that transformed 20th-century American art, bridging surrealism and abstract expressionism. Gorky was born an ethnic Armenian in Khorkom, Van, Ottoman Empire (present-day Turkey) in ca. 1904. Fleeing the genocide that claimed the life of his mother, he immigrated to the United States in 1920. After four years with relatives in Massachusetts, Gorky moved to New York and changed his name in honor of the celebrated Russian poet Maxim Gorky. Refusing all categories, whether artistic or political, Gorky forsook assimilation in favor of celebrating his otherness, becoming a central figure of the cultural milieu of a city on the brink of modernism.


ARSHILE GORKY: NEW YORK CITY

English
Paperback

24 x 17 cm; 244pp
978-3-907493-06-9

USD38.00 / £32.00 / $38.00 / €35.00

Texts by Ben Eastham, Adam Gopnik, Allison Katz, Tamar Kharatishvili, Christa Noel Robbins, and Emily Warner


HWP25_Press Release – ArshileGorky: NewYorkCity.pdf

PDF 1.1 MB

 

(left) Hauser & Wirth Publishers Headquarters and Bookshop, Zurich, Switzerland © Hauser & Wirth Publishers. Photo: Noë Flum; (right) Dr. Michaela Unterdörfer, Executive Director Publications. Courtesy Hauser & Wirth Publishers. Photo: Sim Canetty-Clarke
(left) Hauser & Wirth Publishers Headquarters and Bookshop, Zurich, Switzerland © Hauser & Wirth Publishers. Photo: Noë Flum; (right) Dr. Michaela Unterdörfer, Executive Director Publications. Courtesy Hauser & Wirth Publishers. Photo: Sim Canetty-Clarke

About Hauser & Wirth Publishers ​
In keeping with Hauser & Wirth’s artist-centric vision, Hauser & Wirth Publishers works to bring readers into the universe of artists and behind the scenes of their practices. From publishing artists’ writings and exceptional exhibition-related books to commissioning new scholarship and pursuing the highest levels of craft in design and bookmaking, Hauser & Wirth Publishers creates vital, lasting records of artists’ work and ideas. Hauser & Wirth Publishers’ titles are distributed worldwide via Distributed Art Publishers, Interart and Buchhandlung Walther König.


For additional information, please contact:

David Kilian
Hauser & Wirth Publishers ​
davidkilian@hauserwirth.com
M: +44 (0) 7741 855 242

www.hauserwirth.com/publishers ​
@hauserwirth

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